FLOW

In the chilly waters of the Thea Foss one may observe a unique phenomenon, an impossible view into the surface of the harbor. The crisp form of FLOW is the embodiment of negative space and speaks through reflection and diffraction. Its rigid form juxtaposed against fluid motions of the water. This piece works seamlessly within the aquatic environment cycling every 45 minutes it is synchronized with the rhythms of the natural world.

FLOW is visible from the promenade in front of the Museum of Glass just in the waters off Dock St. Marina. For me this piece is a proof of concept and I look forward to applying these dynamics in a permanent setting. FLOW is best viewed at an oblique angle.

I really enjoyed the process of creating of this dynamic piece. I have dedicated a significant amount time this year resolving the many complexities of both the fabrication of the acrylic form and the function of the mechanical aspects. FLOW challenged every one of my accumulated creative skills including electrical, acrylic fabrication as well as mathematics for the calculation of water levels, flow and displacement. The installation within the decidedly hostile waters Thea Foss Waterway added additional variables to this already complex project.

Because of the limited budget this project was designed around preexisting equipment and materials available in my community. I also familiarized myself with the laser plotter at FabLab in Tacoma to cut the acrylic components. Another hurtle was my lack of a testing pool and had to call in the help of my friends in the marina for assistance. Lastly I would like to thank the Tacoma Arts Commission for taking a chance on this project. Without the help of this organization I would never have embarked upon this fantastic voyage. -Oliver Doriss

FLOW is on display from September 6th to October 6th it cycles every 45 minutes and is illuminated for night time viewing.

This piece was realized through support, funding and donations from the following entities.TAC-logo-vector-file
Special Thanks to:

-Tacoma Arts Commission
-Cayn Thomson
-Second Cycle Community Bicycle Shop
-Craig Perry
-Delin Docks / Dock Street Marina

 

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the FLOW proposal

FLOW is a structured formation of negative space within a body of water. This void will be created in the form of letters. The letters will spell out a word that is directly related to the location of installation.

This project will operate much like a boat. The main body of the boat will fabricated from clear Acrylic. It will float just at the surface of the water. Surface water will cascade over the leading edge of the vessel obscuring the outer wall. This “Vessel” will have a self-regulating bilge pump to maintain its level of buoyancy. The finished piece will be displayed summer of 2013 in the Thea Foss Waterway. The final text size and shape will be determined by location and engineering constraints.

FLOW will be on display in the Thea Foss September 2014

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Origin of the Baby Head Cup

Baby Head Cup Rainbow

Lets go back in time to Boston Massachusetts 1993 (dream sequence sound) I was in my early twenties living out in Brighton at the time. Similar to many young adults my friends were able to rent this huge house and filled it with creative types. They all piled into this giant home with a band practice room in the basement. I spent many a fun filled evening at this house, parties, dinners and everything in between. It was known as the “Big House” Groove Butcher was the house band and everyone was playing shows and involved in the in Allston scene, AKA “Rock City” It was a creative and exciting time so much was going on. On a particular day one of the house members came home with two garbage bags full of doll parts, heads legs bodies. Needless to say our creativity got the better of us and the crafting began.

Doll parts everywhere. Have you ever seen an illuminated strand of baby doll Christmas lights, nope? They’re awesome! The eyes would glow through the creepy flesh tone empty socket. Our savior Jesus Christ with a doll head helmet? Fu*%ing perfect! This went on for months until we had worked though our stash. We would plant doll heads in each others stuff, it wasn’t uncommon to open up your courier bag at work the next day to find a doll head in there, they were in the cabinets, baby doll hand drawer pulls, even in the shower, you name it.

During this time I was producing glass and working through my degree at Massachusetts College of Art. It seems that every artist goes through a doll part phase. It is such powerful iconic image, I mean they don’t even look like children; it’s just this ready-made weird symbolic form that says creepy innocence. At Mass Art I had access to foundry equipment as well as hot glass so it wasn’t long before I crafted a two-part metal blow mold to make glass baby heads. My original concept had a long stalk for the neck topped with a doll head which was to be clustered in groups, totally immature, but awesome. Naturally money was becoming a factor in my life and it wasn’t long before I was making and marketing the Baby Head Bong, complete with these two adorable little horns on it. The Baby Head Cups has served as a macabre canvas for a many decorations. I mean I’ve made baby head everything, decanters, goblets, baby head devil horns, and the clown, complete with a red nose. This mold has been a part of my tool kit for many years. During my time producing work for Dale Chihuly any glass start with a flaw in the decoration like a bubble or scar would get blown into the baby head mold producing drinking glasses for the crew. Ultimately we had this amazing collection of Baby Head Cups with Chihuly colors and decoration. It was silly; you could track his design progression just by looking in our cupboard. Writing this piece makes me realize this Baby Head Cup thing I have created is so much bigger than me. Thankfully I copyrighted them years ago. –Oliver Doriss

www.babyheadgalsses.com
Deadmau5

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SkyPonds

Oliver-May18th44The SkyPonds installation was part of the 2008 Centennial Celebration of the W.W. Seymour Botanical Conservatory. This collaboration between artists Joseph Miller and Oliver Doriss was a response to the unique aesthetic of this historic structure. The installation is a marriage of botanical properties and Tacoma’s tradition of glass making. The cloud forms balance each other symbolizing the delicate interaction of our own ecosystems. They participate in the daily cycles of the conservatory life, gentile condensations, rusting, growing, and evaporating. A closed little loop of life that mimics our own.

Of the original 8 mobiles 5 remain and are presently available for purchase if you’re that type. -Oliver & Joe

For more information on pricing contact Fulcrum Gallery.

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